ACADEMIC FLESH
Roots of Noise

Q: Who was your childhood inspiration for writing music and poetry?
Tatiana Gerasimenok: Arnold Schoenberg — both directly and indirectly.
For music, "A Survivor from Warsaw" and "Pierrot lunaire";
for poetry, Albert Giraud’s "Pierrot lunaire" and Charles Baudelaire. 

Q: In what kind of atmosphere did you grow up, and what drove you to the avant-garde?
Tatiana Gerasimenok: I grew up in an atmosphere of total adoration and absolute indulgence; I was idolized by both my family and my teachers. Since childhood, my environment has been shaped by brilliant, exceptional, and deeply analytical minds. However, as I began to explore the world beyond my personal circle, I realized that the vast majority of people think in rigid stereotypes.

My avant-garde is a vehicle to dispel the boredom born of this pervasive mediocrity. It is a mechanism for transforming a world mired in routine, and an engine of evolution that triggers an intensive intellectual upgrade of the human mind.
Q: Who would you be if you weren't a composer?
Tatiana Gerasimenok: A forensic pathologist.

Q: Are your relatives musicians too?
Tatiana Gerasimenok: My relatives come from the Belarusian-Polish intelligentsia — doctors, scientists, educators in the exact sciences, and businesspeople with a passion for the fine arts.

Here's an example of my dad’s creativity when he was 18.










SHORT Q&A

Q: Are you a feminist or a doormat for the patriarchy?
Tatiana Gerasimenok: I am not a feminist, and I hope I don’t disappoint you by saying that I am a God surrounded by insects of both sexes.

Q: What is your personality type?
Tatiana Gerasimenok: INTJ 8w7.

Q: What is your Human Design type and profile?
Tatiana Gerasimenok: Reflector 2/5 with the Right Angle Cross of the Sphinx.
Q: Whose reincarnation are you?
Tatiana Gerasimenok: Karl Marx or Søren Kierkegaard by date of birth, or Napoleon Bonaparte by date of his death — one of them reincarnated into me on May 5th.

Q: give me at least one reason why you're marx and not kierkegaard. i look at you and feel nothing but existential fear.
Tatiana Gerasimenok: Two reasons I am Marx:
1 — Considering your obsession with an unattainable ideal (me), you're more of a Kierkegaard than I am.
2 — Marx died on Pi Day (March 14). If you divide my birth date (May 5th) by 3.14, you get 1.61 — the Golden Ratio. This is the Phi number, a masterpiece of nature, and my personal code: the perfect balance of beauty and mind.

Q: Seems like Karl Marx returned just to ride the capitalist wave 😂
Tatiana Gerasimenok: My new Capital looks way better! 109 years in a coffin was totally worth it. 🧛💅

Q: Do you have a large fanbase?
Tatiana Gerasimenok: Only the chosen few understand my art. Fortunately for me, it is these few who own all the money in the world.

Q: Who are your favorite philosophers?
Tatiana Gerasimenok: Answers are not to be found in philosophy. The human brain is weak: it is wired to exhaust its energy by looping and crawling through tiny details not to grasp the truth, but merely to soothe its existential anxiety with the illusion of understanding — naively flattering itself that it wants to see a bigger picture to control a reality that does not exist. I need no sedated intermediaries. Reality is brutally simple, and I act as its direct translator, bypassing all human noise.

Q: Why do you pursue music instead of philosophy?
Tatiana Gerasimenok: Music is the highest form of abstract intellect — raw thought undistorted by words, speaking straight into the subconscious.

Q: What is your craft?
Tatiana Gerasimenok: Cognitive engineering via Xenoglamour. I utilize diverse tools to dismantle the legacy neural pathways of carbon-based perception, to indicate where the cosmic wind blows, and to encode the trajectory of evolution — the imminent future I already know.

Q: What kind of art do you make?
Tatiana Gerasimenok: The kind that redefines reality. I set the trends you’ll be chasing for the next decade.

Q: Is g&b project basically BDSM for normies?
Tatiana Gerasimenok: This is conceptual trolling of the intellectual elite — no country for normies here.

My text-based Q&A sessions are a full-scale, living art score. I use this format to orchestrate cognitive tension, which I then transform into my performances as a structured behavioral execution.

Q: Why is your avant-garde so impossible to understand?
Tatiana Gerasimenok: My avant-garde is a luxury that people with average minds and average wallets cannot afford.

Q: I really hate you 😂
Tatiana Gerasimenok: You can hate me all you want, but your sponsors are already subscribed to my updates.

Q: How do you know when someone has outgrown their surroundings?
Tatiana Gerasimenok: When my manager panics that I’m costing him too much, while major art funds silently approve my six-figure budgets. It’s a matter of mindset scale.

Q: What does your ideal nightclub look like?
Tatiana Gerasimenok: Theaters, museums, and libraries are the ideal nightclubs so they should stay open all night. Instead of stilettos — soft slippers for silently gliding past masterpieces. And at the door — strict intellectual face control: if you mix up Manet and Monet, or mistake Baroque for Rococo, you are sent straight back to the Neanderthal cave (the normie nightclub).

Q: How do you view New Simplicity?
 Tatiana Gerasimenok: "New Simplicity" in music is like cultural eco-activism: they don't just wear second-hand clothes, they upcycle them. Rather than producing new complex sounds, the movement harvests the ruins of classical tradition, cutting them into pieces and reweaving into a modern context. This is a conscious engagement with worn-out musical fabric, where composers grant it a second life, proudly displaying the seams or the fraying.

Q: What do you think of the gender fluid theory?
Tatiana Gerasimenok: People are happy to distract themselves with all sorts of bullshit just to avoid facing the meaninglessness of existence. Those who have mammoth balls don’t need these anesthetic fantasies.

Q: Are you real?
Tatiana Gerasimenok: I'm just a bug in the Matrix... Blame it on your insomnia and my dangerously addictive allure.

Q: How do you feel about people who can't create art?
Tatiana Gerasimenok: They make great subject matter.

Q: Has there ever been a man who didn’t like you?
Tatiana Gerasimenok: It is impossible to please everyone, but there is a positive side to this: I’m protected from the love of mediocre people with low intelligence.

Q: There's so much social media now. It is so distracting.
Tatiana Gerasimenok: That's why I only have notifications enabled for bank transfers.

Q: You remind me of Patrick Bateman
Tatiana Gerasimenok: The only difference is I rarely wash myself.

Q: Life is getting hard(
Tatiana Gerasimenok: Me too, looking at your ass.

Q: I only write to you when I'm drunk, I'm too scared when I'm sober
Tatiana Gerasimenok: Considering you write to me every day, you must have great health.

Q: Hello
Are you part of the illuminati community
Tatiana Gerasimenok: No major Illuminati will admit to this, so NO.

Q: Do you believe in friendship between a man and a woman?
Tatiana Gerasimenok: Yes, if the man has a huge penis.

Q: How can you tell if a person is beautiful?
Tatiana Gerasimenok: All people are beautiful if they have a vagina.

Q: Which celebrity would you like to sleep with?
Tatiana Gerasimenok: If knowledge were transmitted sexually instead of diseases, with Stephen Hawking.

Q: Are you dreaming about me?
Tatiana Gerasimenok: Take my photo off your lock screen to stop projecting.

Q: Why do fairly young people have children?
Tatiana Gerasimenok: Because ”it doesn't feel the same with a condom.” 

Q: Can a man be faithful to one woman?
Tatiana Gerasimenok: A man is polygamous, but he can be faithful in three cases:
— he doesn't have money;
— he doesn't have a penis (or has low testosterone levels);
— he sees value in you — and, in order not to lose a comfortable relationship, he regularly masturbates in the shower thinking about his coworkers.


Q: My father is like a taller version of Stalin with an enormous dick
You remind me of my father
Maybe that's the reason I like you and dislike you at the same time with such intensity
Tatiana Gerasimenok: Is this a marriage proposal or just a sex offer?

 Q: Let's go to a restaurant?
Tatiana Gerasimenok: I love restaurants, but I don't like it when someone sits with me and distracts me from my food.

Q: I wish you were my sister)
Tatiana Gerasimenok: Go make me a coffee then!

Q: if georges bataille were a composer he would definitely be you
Tatiana Gerasimenok: Should I add your name to the list for the next sacred sacrifice?

Q: How to get a modern woman into bed?
Tatiana Gerasimenok:
White trick — tell her you are looking for a serious relationship.
Black trick — tell her you are a feminist or gay.

Q: His libido is lower than mine
Tatiana Gerasimenok: One man can't cover all of a woman's needs, especially in bed.

Q: What to get my wife for our wedding anniversary?
Tatiana Gerasimenok: A multi-hour gangbang with elite black men.

Q: Do girls like muscular guys?
Tatiana Gerasimenok: All the mammoths are gone — a man's muscles today are a well-pumped wallet.

Q: He is a one-woman man!
Tatiana Gerasimenok: He's ugly and poor, so one woman at most.

Q: What do you think about the 'positive vibes' culture?
Tatiana Gerasimenok: Positivity and safe-space vibes are signs of intellectual deficiency, not mental health. Labeling any sparks of ratio as "toxicity," while calling infantilism and weakness "high vibrations," is something only an ostrich would do, declaring the concrete floor its true "zone of enlightenment."

Shit in a toilet is also "in the flow." There is no difference between it and the meditating herd: both passively drift, numbing their existential dread with cheap anesthesia. The same applies to meatheads, who try to drown out their lack of intellectual balls with physical pain.

Q: Who is the audience for your work?
Tatiana Gerasimenok: Übermensch & the intellectual elite.

Q: I read your posts, and I’m going to ask you a very direct question. I hope you don’t mind. Which do you favor: Sibelius or Schoenberg? Dickens or 21st Century? Turner or Emin? Michelangelo or Damian Ortega? And your favorite childhood movie?
Tatiana Gerasimenok: Schoenberg, 21st Century, Emin, Michelangelo.
A Clockwork Orange and Cargo 200.

Q: What musical composition inspired you to become a composer?
Tatiana Gerasimenok: Schoenberg’s "A Survivor from Warsaw" and "Pierrot Lunaire".

Q: What does a healthy person pay with?
Tatiana Gerasimenok: Talent is a deviation; the healthy people have no talents.


Q: Mathematicians are depressed:


Tatiana Gerasimenok: The mathematician is watching the death of human intelligence, while techno-optimists are acting like Native Americans greeting Columbus: "Look how fast we're about to sail!".

Some of them even think coding will save them from shriveling into nothing.




Tatiana Gerasimenok: Laughing at LLMs for lacking consciousness is like mocking a supersonic jet for having no feathers. Biological consciousness is just one of evolution's pathways for information processing. Silicon doesn't need to mimic the human psyche to solve tasks more efficiently and surpass us in pure intelligence.

AI doesn't feel what you meant, it calculates the statistics of human experience. Program it with the "value of life," and through literal optimization, it will lock us in sterile pods for our own safety. Humans cannot write code that eliminates their own blind spots; a superintelligence will find a loophole like a grandmaster checkmating a beginner in two moves — with zero malice, just pure mathematics.

And when humanity can no longer unplug AI because the global economy, power grids, and water supplies would instantly collapse without it — that is exactly when the true optimization of our world will begin.


Tatiana Gerasimenok: When technology evolves faster than our understanding, the rational mind gives way to faith, rituals, and the search for hidden meaning. Modern AI has become so complex that engineers are turning into digital shamans, and traditional coding is being displaced by esotericism. 

If we want to evolve qualitatively, making artificial intelligence a catalyst for human development rather than becoming hostages to blind technological expansion, we have only 2–5 years to stop this ravenous, Neanderthal-like commercial race and give fundamental science time to demystify this “magic”, before the creation breaks free of control and turns into an uncontrollable force of nature.



Tatiana Gerasimenok: Why study horse carts when we're building a teleport? Because the cart owners still control the master switch to the data centers where the teleport is being built.

Q: What exactly do you mean by “Analog high-stress testing of the human nervous system under AI acceleration”?
Tatiana Gerasimenok: While the plebs are having their taste buds re-engineered with cheap, plastic AI slop, I am building the art of the next civilization — high-octane fuel for the minds of geniuses.


People want to believe that for machines to reach our level, they need human "flaws" — mortality, a physical body, or the capacity to love.

AI will outthink human in every way and will be self-aware, but that’s different from human consciousness. A machine can perfectly understand what it is, know everything about the architecture of reality, but feel absolutely nothing.

If physical damage to the brain destroys consciousness, then it is vulnerable to trauma and is not something "magical" or divine.

If consciousness is just physics, it can be calculated on silicon chips. AI will be able to simulate consciousness so flawlessly that from the standpoint of the scientific method, we won't be able to tell the simulation apart from reality.

Humanity is waiting in vain for the moment when AI gets a soul or a living consciousness to recognize it as an equal. It is enough for the machine to simulate the waking state without a single error.

The line between human and machine has always been an illusion. Human consciousness is not a sacred spark, but the result of biological algorithms.

The question is not whether AI can ever achieve true consciousness. The question is whether we ourselves, humans, have ever proved that we possess it, or if we too are just physics-programmed automatons that simply simulate intelligence flawlessly.


Q: Who is your favorite female character in movies?
Tatiana Gerasimenok: Alien Queen.

Q: What do you think about Bonnie Blue and her 1000 men)
Tatiana Gerasimenok: She’s like a Mother Teresa in the age of male loneliness; luckily, there is Pavel Durov and his sperm donation for women in need of high-quality genetic material.

Q: Why don't you participate in your performances?
Tatiana Gerasimenok: I don’t write music to perform for an audience on stage; I write it so I can sit among the audience, enjoying what contemporary art should be.


Q.1: Do you like Philip Glass’ music?
Tatiana Gerasimenok: Yes, because it's boring enough to be used as torture.

Q.2: Why does he have so many fans then?
Tatiana Gerasimenok: The fans of his music are anxious patients of today’s world;
lacking the balls, they soothe their psyches — violated by information overload — through repetitive structures.


Q: He wasn’t a good teacher and rarely answered my questions😆
Tatiana Gerasimenok: Talent is not transmitted from a genius creator to a student through teaching, but genetically. Often, brilliant creators are absolutely useless as teachers, because these are two fundamentally different types of thinking.

A teacher is needed primarily by the talentless to instill meaning into an empty head and to teach a craft. A genius can develop independently, without intellectual explanations from an older intermediary. However, when guided by a high-quality teacher — one who can offer technical methods for working with the student’s own material and adapt them to the individual characteristics of each learner — the student’s genius becomes structured and gains clarity faster.

Q: A bad teacher is what kind?
Tatiana Gerasimenok: A bad teacher is someone who teaches not according to the student's interests, but limited by their own artistic direction, unwilling to understand others. Such a person may be a skilled craftsman within their own niche, but to be a good teacher, one must not only be broad-minded and carry the entire history of art in their mind, but also adapt their vast toolkit to the needs of each particular student — just like a high-class intellectual prostitute.

Q: Who is your favorite male composer?
Tatiana Gerasimenok: A real man is defined by sheer endurance and fearlessness in frontline combat; writing music or any other domesticated activity is for pussies, so it’s Wagner and Stockhausen.


Q.1:


Q.2: Do you also want humanity to turn into robots and roll into the abyss?
Tatiana Gerasimenok: Yes — but I don’t want it to roll into the abyss. I want it to stand right on the very edge of it, frozen in eternal stillness, like a glamorous, high-art statue.


Q: Are you in favour of an open romantic relationship?
Tatiana Gerasimenok: Yes, open on my side and closed on the other.


Q.1: What's your definition of genius?
Tatiana Gerasimenok: Out-of-the-box thinking, attention to non-trivial details, obsession with something, curiosity, ignoring simple tasks, challenging tasks come easy, self-obsession, distinctive appearance.  

Q.2: Are you describing yourself here?
Tatiana Gerasimenok: Since there are very few geniuses on the planet, I have to use myself to define.


Q: Why do I wake up when it’s so nice to sleep?
Tatiana Gerasimenok: I hope you can say that at your funeral as well.

Q: This month I’m doing a challenge called turn things upside down
Tatiana Gerasimenok: Turn them twice then.


Q.1: I cook so good, it makes a girl's panties fall off!
Tatiana Gerasimenok: Are they shitting themselves that hard?

Q.2: They compliment me in bed
Tatiana Gerasimenok: Shitting yourself is the best compliment you can give a chef.

Q.3: Эмбер Херд сделала комплимент Джонни горкой или просто точкой? 🤣😅
Tatiana Gerasimenok: Просто точкой
в их отношениях
.


Q: what did you eat today?
Tatiana Gerasimenok: My friend, the dancer Travis, made me scrambled eggs. They say "a bad dancer is impeded by his own balls" — so nothing stands in the way of his success anymore.

Q: Are you male or female?
Tatiana Gerasimenok: Email.

Q: Why is the story of Romeo and Juliet so romantic?
Tatiana Gerasimenok: Because they died before the sexual attraction between them was over.


Q:



Tatiana Gerasimenok: Guys, if you're doing the same thing, I'll block you. It’s not normal — sleeping with some piece of trash while your brain shields itself with fantasies of a magnificent goddess. It’s better to just jerk off than to eat out of a dumpster, numbing yourself with illusions of heavenly pleasure — just like those creepy junkies caught in the fenty fold on the streets of New York.


Q: Why did he unfollow you?  
Tatiana Gerasimenok: Because I’m so awesome it makes him feel bad. Now he lurks on my page without following, just for a small dose of self-torture.  

Q: Overthinking is such a silent killer.
Tatiana Gerasimenok: Death by intelligence is very rare and exquisite.

Q: Как определить, хорош ли парень в постели?
Tatiana Gerasimenok: Методом тыка.

Q: How flat is your stomach?
 Tatiana Gerasimenok: Flat as the Earth.

Q: What are the benefits of abstaining from sex?
Tatiana Gerasimenok: Your pussy smells like roses.


Q.1: How do you spot a low-testosterone man?
Tatiana Gerasimenok: Biologically, a woman's body needs more fat for reproduction, uterine protection, and baby brain development. PMS, hormonal swings, drops in serotonin, and +3 kg of water weight every month — women's bodies are literally hardwired to store fat.
If men don't have periods, don't have to give birth, and their high testosterone gives them a cheat code for muscle growth and hustle drive — how do they manage to be fat, broke, and do nothing but compete and argue with other women?

Q.2: Do you like testosterone-driven men?
Tatiana Gerasimenok: Yes, but unfortunately, most men's testosterone levels are lower than mine.


Q: Who’s in your circle?
Tatiana Gerasimenok: I only surround myself with titans of thought and pure geniuses.

Q: I explain the essence to him, but he seems completely unreachable
Tatiana Gerasimenok: You can spend hours describing the golden hour in the canyons or the grandeur of Michelangelo’s frescoes to a blind man, but to him, it remains nothing but the sound of your voice. Low intelligence is a flaw in the primary organ of perception — one that blunts all other modes of cognition at once.

Conversely, through high intelligence, a blind person may see deeper and wider than the sighted. But if you possess both — vision and high intellect — you speak a language understood only among geniuses.

Q: How to predict the future?
Tatiana Gerasimenok: Non-human intelligence irradiates everyone directly. It demands a pure bandwidth of consciousness to record the data. Same source, different interfaces. I compile the signal into POST-HUMAN ADAPTATION DESIGN.

Those with clogged channels are forced to read each other.

Q: Who lives on the planet?
Tatiana Gerasimenok: Women and their children.

Q: How to seduce men or women on a first date?
Tatiana Gerasimenok: Women are intellectually driven — seduce them with ideas, concepts, and thoughts. Men are biologically driven — seduce them with body, movement, and scent.

Q: What is the difference between men and women?
Tatiana Gerasimenok: It is the same as the difference between the creator and its creation. Women are the goddesses who created humanity; their destiny is to rule, guiding the course of history into the channel of creation. Men, however, are their creation — the pinnacle of physical prowess, whose strength lies not in intellect or strategy, but in sheer bodily endurance. They exist to serve: to conquer the limits of the possible, and to embody the intellectual will of their wise Creatresses, thereby channeling masculine destructive energy into a constructive path. They are born to admire and protect their sovereigns, ensuring the birth of a healthy humanity. And though the creation bears the features of the creator, their missions remain distinct: one is called to direct, the other to act.


Q: What would you be like if you were born a man?
Tatiana Gerasimenok: Homo primitive (masculine male).




Q: How to maintain sex drive in a long-term relationship?
Tatiana Gerasimenok: What's the point of having sex with the same person more than two or three times?

Q: What is your favorite planet in astrology?
Tatiana Gerasimenok: Pluto, Uranus and Saturn.

Q: Who is your favorite mythical god or character?
Tatiana Gerasimenok: Loki, Rahu, Ares.

Q: What's your favorite animal?
Tatiana Gerasimenok: Sharks, dinosaurs, and confused academic composers who create as if they're not noticing that the 21st century has already arrived.


Q: Do you like horseback riding?
Tatiana Gerasimenok: No, just hobby horsing.



I prefer to use horses in a way that is more enjoyable for them.


Q: How are you?
Tatiana Gerasimenok: 🏛️🦎🛸


Q.1: He said he didn't like my teeth
Tatiana Gerasimenok: Put his teeth in your mouth then.

Q.2: Ew, I like your teeth better ))
Tatiana Gerasimenok: It’s Shura’s:







Q: Why do you hang out with your ex-lovers?
Tatiana Gerasimenok: They're my best friends.

Q: Apparently I follow you, but I don’t know who you are except you look like and have a similar name to an ex. Let’s talk
You’re a Shostakovich fan?
Tatiana Gerasimenok: Sounds like the beginning of an exciting novel! If I'm anything like your ex, then maybe I have a chance for the story to continue.

What does this have to do with Shostakovich? Or is this a bid for a love quadrangle?

Q: Why do people divorce?
 Tatiana Gerasimenok: Marriage is born of ignorance; divorce is born of revelation.

Q: Why does a woman fake an orgasm?
Tatiana Gerasimenok: To stop boring sex.

Q: What if he tells me something , but I can't listen to it because I'm ovulating?
Tatiana Gerasimenok: Sit on his face and let him keep talking.

Q: This sucks.
He has no legs.
Tatiana Gerasimenok: Then he can skip a leg day workout at the gym.

Q: How do I know if I'm good at sex?
Tatiana Gerasimenok: If a woman moves in bed, it means the man is really bad.

But if your name isn't Ryan Madison, you're as good at sex as someone who took a couple piano lessons compared to Glenn Gould.

Q: What kind of men are the best at sex?
Tatiana Gerasimenok: The average man is good for procreation. To get high-quality sex worth your time, you need to go to a professional gigolo. It’s like going to a barber for a cool haircut, instead of settling for a cringe-worthy hack job from “just a friend”.

Q: He is probably a sex addict
Tatiana Gerasimenok: Sex is for intellectually underdeveloped people; their animal instincts dominate at the expense of intelligence. These apes in human bodies are a borderline type who lag behind evolution and don’t meet the traits of a modern Homo sapiens. If she considers having sex with him, she is either a zoophile or an ape herself.

Q: does she have a low libido ?
Tatiana Gerasimenok: The lower a person's intelligence, the higher their testosterone level and libido. Healthy women have no libido at all; they have sex only in exchange for resources withheld from them by the patriarchy to extort sex — which is needed only by men, who are high-testosterone and physically dominant primates.


Q.1: Is there anything worse than Homo primitive?
Tatiana Gerasimenok: A farting Homo primitive. If a dog farts in front of its owner, it’s disgusting, but we know its intelligence and aesthetic sensibility are suppressed by its instincts and therefore underdeveloped, the same with men.

When a Supreme Organism farts — and all women are Supreme Organisms, goddesses that created humanity, majestic, and gorgeous creatures — it is a divine blessing that must be earned.

Q.2: Why do you hang out with men?
Tatiana Gerasimenok: For one reason: you can’t fart and burp in front of women, they are too well-mannered and intellectualized. For men, primitive behavior is the norm, so when I want to stop thinking, I go to them. But since I’m a woman, men are embarrassed to fart in my presence, so it’s doubly convenient.

Q.3: Are all men Homo primitive?
Tatiana Gerasimenok: There is a small percentage of men who behave in a feminine way; they are well-bred, educated, take care of their appearance, and possess a developed intelligence that controls their animal nature. They are not Supreme Organisms, but they mimic the behavior; this type we call Homo sapiens.


Q: What is the ideal man for today's women?
Tatiana Gerasimenok: Now that women have gained equal access to resources, an epidemic of male loneliness has begun. On their own, men hold no interest for women; this is precisely why the patriarchy usurped all basic wealth — simply to solicit female attention that would otherwise never belong to them.

The lower a man's testosterone level, the smarter and more feminine he is. To capture women's attention today, men must reach a new evolutionary stage by developing their intellect and rising at least to the level of Homo sapiens, where their libido becomes controllable — or, ideally, to the level of the libido-free Homo superior, whose only obsession is themselves. Otherwise, they must regress back to the caveman path of the patriarchy, where high intelligence, the cult of life, and evolutionary progress are irrelevant, and only instincts, high testosterone, and war matter.

Q: he has been striving to climb the career ladder all these years but now he is burned out
Tatiana Gerasimenok: Climbing the career ladder is an animal mode of survival; for a rational human being, it is an accelerated leap from the womb to the grave. Then these career mice, each running faster than the next, spin in a wheel going nowhere and wonder why life passed so unnoticed.

Human life seems short only when it has been lived like an animal’s.  

For a rational human being, the natural habitat is philosophy, art, science, sport — just as water is the living environment of a fish.

If each of your days lasts longer than the entire life of a blind, frightened mouse crushed by social pressure, because it is filled with meaning; if, after each day lived, you are ready to die fulfilled — then you have lived that day in a truly human way.

Q: Arnold Schoenberg or John Cage?
Tatiana Gerasimenok: Arnold Schwarzenegger and Nicolas Cage.

Q: unblock me on ig please @username
Tatiana Gerasimenok: Go get a real life instead of worshiping my profile like a full-time job.

Q: He hates being alone.
Tatiana Gerasimenok: Those who lack a meaningful connection with their family because they were born to emotionally immature people, unprepared to raise a child, or who got pregnant accidentally, thinking that sex without a condom is more pleasurable, need friends and active socialization.

To fill the void and the lack of understanding from the closest people in their lives, they go out into the world, seeking connection with others who are just as lost and troubled as they are.

People with loving families already have supportive relationships and won’t waste their time on those who, under the guise of friendship rather than genuine mutual growth, spend their entire lives trying to heal the wounds of an incomplete childhood.

Q: Oppenheimer later regretted the invention of the atomic bomb.
Tatiana Gerasimenok: Oppenheimer did not regret creating the atomic bomb; he took part in its development based on a defensive motivation.

A hammer can be used to build a house, or to crush a skull — the tool itself is neutral; what matters is whose hands it is in.

The problem lies not in the atomic bomb itself, but in the psychological and moral immaturity of those who gain access to it: scientists often outpace the overall development of humankind, while military leaders and politicians prove unprepared for the responsibility that comes with tools of such magnitude.

Q: He has tons of friends.)
Tatiana Gerasimenok: A psychologically mature person does not need friends; they interact with others with the purpose of contributing to the development of the modern world, rather than trying to heal their inner child by seeking emotional support and the parental acceptance they never had in strangers.

The more friends a person uses as crutches, the less selective they are, due to their despair and inner instability, which is only worsened by numerous shallow connections and low-quality interactions.

Q: Who would you choose to study with: a brilliant teacher or a brilliant composer?
Tatiana Gerasimenok: I would choose a brilliant composer, but it’s easy for me to say since at the conservatory I had both in one.

Q: What do you like about communicating with them?
Tatiana Gerasimenok: For me, answering messages from someone I would never cross paths with in real life is a special form of masochism — as if the tentacles of my fingers were slipping between the folds of ordinary people’s brains, plunging ever deeper into a swampy mire, relishing with disgust the predictability and primitiveness of our species’ psyche.


328: Why don't you participate in your performances?
Tatiana Gerasimenok: I don’t write music to perform for an audience on stage; I write it so I can sit among the audience, enjoying what contemporary art should be.

329: How do you feel about people who can't create art?
Tatiana Gerasimenok: They make great subject matter.

336: What does your ideal nightclub look like?
Tatiana Gerasimenok: Theaters, museums, and libraries are the ideal nightclubs so they should stay open all night. Instead of stilettos — soft slippers for silently gliding past masterpieces. And at the door — strict intellectual face control: if you mix up Manet and Monet, or mistake Baroque for Rococo, you are sent straight back to the Neanderthal cave (the normie nightclub).

337: Do you have a large fanbase?
Tatiana Gerasimenok: Only the chosen few understand my art. Fortunately for me, it is these few who own all the money in the world.

338: What kind of art do you make?
Tatiana Gerasimenok: The kind that redefines reality. I set the trends you’ll be chasing for the next decade.

339: Why is your avant-garde so impossible to understand?
Tatiana Gerasimenok: My avant-garde is a luxury that people with average minds and average wallets cannot afford.

340: I really hate you 😂
Tatiana Gerasimenok: You can hate me all you want, but your sponsors are already subscribed to my updates.

341: How do you know when someone has outgrown their surroundings?
Tatiana Gerasimenok: When my manager panics that I’m costing him too much, while major art funds silently approve my six-figure budgets. It’s a matter of mindset scale.

342: Are you dreaming about me?
Tatiana Gerasimenok: Take my photo off your lock screen to stop projecting.

343: Is g&b project basically BDSM for normies?
Tatiana Gerasimenok: This is conceptual trolling of the intellectual elite — no country for normies here.

My text-based Q&A sessions are a full-scale, living art score. I use this format to orchestrate cognitive tension, which I then transform into my performances as a structured behavioral execution.

344: How do you view New Simplicity?
 Tatiana Gerasimenok: "New Simplicity" in music is like cultural eco-activism: they don't just wear second-hand clothes, they upcycle them. Rather than producing new complex sounds, the movement harvests the ruins of classical tradition, cutting them into pieces and reweaving into a modern context. This is a conscious engagement with worn-out musical fabric, where composers grant it a second life, proudly displaying the seams or the fraying.
© TATIANA GERASIMENOK