N EW:


XENOGLAMOUR: THE HIGH ART OF THE 21ST CENTURY

BEYOND THE ÜBERMENSCH (Apex57)

ZERO PLEASURES FOR HOMO SAPIENS (Loading_404Retro)

ARCHITECT OF THE VOID: THE PRIVATE DEPLOYMENTS (patrick.mzk)

THE THEATER OF GREY EMINENCE (Senpai_3000)

  • WHY IS SLAUGHTER LEGAL? (datastream)

    HARNESSING CHAOS THROUGH HIGH ART (BitShift)

    DOES A GENIUS HAVE TO BE POOR? (YamiZero)

    RITUAL FOR THE ÜBERMENSCH,
    or Why I Don't Make Pop Music
    (celloftech_11)

    ART AS A BEHAVIORAL LABORATORY (l0fi_hikka)

    TECHNO-HOLLYWOOD AND THE PARANOIA OF OPTIMIZATION (Xmblue)


THE PRODIGAL MACHINE
(cixrra)

SHORT Q&A: 328/at the end (segfaultsam)
SHORT Q&A: 336/at the end (segfaultsam)

SHORT Q&A: 337/at the end (Bryan58376943)

SHORT Q&A: 338/at the end
(Rbaker1978)
SHORT Q&A: 339/at the end (owlcat47)
SHORT Q&A: 340/at the end (spicy R60)
SHORT Q&A: 341/at the end (yield_of_fab)
SHORT Q&A: 342/at the end (segfaultsam)
SHORT Q&A: 344/at the end (RestBlank)

stan.brakhage
— if you're reading this:
Which of them should I profile? — DM me here.

BACH’S SCAVENGERS (yield_of_fab)

  • THE NECROPHILIA OF HIGH ART: WHAT TIMOTHÉE CHALAMET DIDN’T SAY (yield_of_fab)

    • WHY HIGH ART IS A LUXURY OF THE GENETIC ELITE (O_of_TSMC)


      THE SLOW ROT OF CONTEMPORARY CLASSICAL MUSIC (segfaultsam)


      BLOOD, POWER, AND REASON
      (atiishnik)

      FROM BASIC HUMANS TO PSYCHOPATHS
      (Sunny Bean)


      FROM MASTURBATION TO MOTHERHOOD
      (Mister89)

      • THE SHADOW OF GENIUS (quoklix)

      © TATIANA GERASIMENOK