N EW:
- WHY IS SLAUGHTER LEGAL? (datastream)
HARNESSING CHAOS THROUGH HIGH ART (BitShift)
DOES A GENIUS HAVE TO BE POOR? (YamiZero)
RITUAL FOR THE ÜBERMENSCH,
or Why I Don't Make Pop Music (celloftech_11)
ART AS A BEHAVIORAL LABORATORY (l0fi_hikka)
TECHNO-HOLLYWOOD AND THE PARANOIA OF OPTIMIZATION (Xmblue)
THE PRODIGAL MACHINE (cixrra)
SHORT Q&A: 328/at the end (segfaultsam)
SHORT Q&A: 336/at the end (segfaultsam)
SHORT Q&A: 337/at the end (Bryan58376943)
SHORT Q&A: 338/at the end (Rbaker1978)
SHORT Q&A: 339/at the end (owlcat47)
SHORT Q&A: 340/at the end (spicy R60)
SHORT Q&A: 341/at the end (yield_of_fab)
SHORT Q&A: 342/at the end (segfaultsam)
SHORT Q&A: 344/at the end (RestBlank)
stan.brakhage — if you're reading this:
Which of them should I profile? — DM me here.
BACH’S SCAVENGERS (yield_of_fab)
THE NECROPHILIA OF HIGH ART: WHAT TIMOTHÉE CHALAMET DIDN’T SAY (yield_of_fab)
WHY HIGH ART IS A LUXURY OF THE GENETIC ELITE (O_of_TSMC)
THE SLOW ROT OF CONTEMPORARY CLASSICAL MUSIC (segfaultsam)
BLOOD, POWER, AND REASON (atiishnik)
FROM BASIC HUMANS TO PSYCHOPATHS (Sunny Bean)
FROM MASTURBATION TO MOTHERHOOD (Mister89)