Biography
She is known for her visionary approach, which challenges the frameworks of modern art, culture, and human behavior, aiming to create a new model of a renaissance-like human — free from conventional stereotypes, endowed with holistic thinking, and capable of excelling across multiple disciplines.
Tatiana views her art as a tool for exploring social structures, cultural taboos, and both collective and individual psychodynamics. Her practice focuses on developing the potential of the human mind and physical endurance, while engaging with contemporary media landscapes to push the boundaries of new music and performance art.
Drawing inspiration from deathcore, industrial rap, and contemporary classical music, while delving into social and cognitive sciences, Tatiana constructs a world where primal energy collides with the cold, mechanical pulse of the future.
Becoming a bridge between the avant-garde and the mainstream, the primordial and the futuristic, her works generate immersive environments in which the boundaries between performer and audience dissolve, hierarchies are challenged, and egalitarian interaction deepens human engagement.
Through intense, multisensory experiences, she seeks to expand perception, stimulate critical thinking, and stretch the limits of the human psyche, thus offering a complex, transformative artistic encounter.
Born in Shklov, Belarus, Tatiana studied musicology at the Mogilev Rimsky-Korsakov Music College and composition at the Moscow Tchaikovsky Conservatory under Yuri Kasparov. She has also participated in masterclasses and workshops with Brian Ferneyhough, Pierluigi Billone, Beat Furrer, Alvin Lucier, Tristan Murail, Heinz Holliger, Peter Ablinger, Mark Andre, and Claus-Steffen Mahnkopf.
Her work has been featured at festivals and events worldwide, including MATA Festival (New York) and Internationale Ferienkurse für Neue Musik (Darmstadt), and performed by ensembles and soloists such as the JACK Quartet, Ensemble Multilatérale, Moscow Contemporary Music Ensemble, Ine Vanoeveren, Dejana Sekulić, Michiko Saiki, and the Academic Symphony Orchestra of the St. Petersburg Philharmonia.
Tatiana has participated in residencies and academies including Académie Voix Nouvelles (France), Akademie Schloss Solitude (Germany), Kulturstiftung Schloss Wiepersdorf (Germany), EBMF International Summer Academy for Young Composers (New York, USA), Künstlerdorf Schöppingen (Germany), Künstlerhaus Lukas (Germany), Künstlerstadt Kalbe (Germany), Kunsthof Dahrenstedt (Germany), Künstlerhaus Salzwedel (Germany), and Pyrenees-Mediterranean Creation Residence (Spain).
She has received numerous awards at composers’ competitions, including First Prize at the Seventh International Composers' Competition of the Moscow Tchaikovsky Conservatory (Russia), the 18th A. Petrov Open Composers Competition (Symphonic Music, St. Petersburg, Russia), the I International Composition Competition New Music Generation 2019 (Kazakhstan), and the Ad Libitum Composition Competition (Germany).
In addition to composing, Tatiana teaches composition and music theory at the Moscow Tchaikovsky Conservatory, and regularly gives lectures, masterclasses, and workshops internationally on her artistic practice and the evolution of contemporary classical music in the digital age.