#RootsOfNoise
ACADEMIC FLESH

#1: Who was your childhood inspiration for writing music and poetry?

Tatiana Gerasimenok:
Arnold Schoenberg — both directly and indirectly.
For music, "A Survivor from Warsaw" and "Pierrot lunaire";
for poetry, Albert Giraud’s "Pierrot lunaire" and Charles Baudelaire.

#2: Who would you be if you weren't a composer?
Tatiana Gerasimenok: A medical examiner.

#3: Are your relatives musicians too?
Tatiana Gerasimenok: My relatives come from Belarusian-Polish intelligentsia —
doctors, scientists, educators in the exact sciences, and businesspeople with a passion for academic art.

Here's an example of my dad’s creativity when he was 18.





Royaumont Abbey — Académie Voix Nouvelles 2017




BOHEMIAN ALGAE




A temple where apocalyptic noise, sacred discipline, and elegance collide. 
My Alma Mater — Moscow Tchaikovsky Conservatory. And so am I.






Unpacking the Noise: Reflections on My Music and Practice.








X-Project


"X-Project" — for flute, cello, piano, and voice
Composer & Director: Tatiana Gerasimenok
Performers: Sally Beck, Ella Rohwer, Claudia Chan, and Marie Heeschen
Working on the project at Royaumont Abbey







X-Project


"X-Project" — for flute, cello, piano, and voice
Composer & Director: Tatiana Gerasimenok
Performers: Sally Beck, Ella Rohwer, Claudia Chan, and Marie Heeschen
Filming deep in the forest at Royaumont





Saint Petersburg Philharmonia


Premiere of my piece “Age of Giants: Jurassic Forest Symphony” for symphony orchestra,
as a winner of the Symphonic Music Composition Competition.

Performers: Academic Symphony Orchestra of the St. Petersburg Philharmonia
Conductor: Fedor Lednev



Saint Petersburg Philharmonia


Rehearsal of my piece “Age of Giants: Jurassic Forest Symphony” for symphony orchestra.

Performers: Academic Symphony Orchestra of the St. Petersburg Philharmonia
Conductor: Fedor Lednev